“The narrative is going to change completely,” Mr. The tale is so complicated that a fan-run Web site,, has proposed reshuffling the songs to present the plot more clearly. They have their work cut out for them: the three “Violeta, Violeta” albums do not present a linear narrative but rather random snapshots of a drama in which a couple splits and the father takes their daughter, Violeta, around the world while the mother tries to reconnect with her (and a dead twin daughter, also named Violeta) - with assistance from the Devil, who is trying to return to (and take over) heaven. In 2011 the Norwegian novelist Tore Renberg used material from the group’s first three albums - “Ompa Til Du Dor” (“Ompa Until You Die”), “Evig Pint” (“Eternally Tormented”) and “Maestro” - to create a musical, “Sonny.”
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We’re just stopping touring, and stopping producing albums.” “We don’t have any problems in the band,” Janove Ottesen, the group’s singer and principal composer, said in a Skype interview from Stavanger on Friday. After a run of European festivals and nine valedictory performances in Stavanger, where it is based, Kaizers Orchestra is packing it in - or at least taking an open-ended break.
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And while most groups’ debuts are introductions meant to build new audiences, the Kaizers’ Met performance - its only American date - is also its farewell. The group, a Norwegian alternative-rock sextet whose music is an idiosyncratic amalgam of Scandinavian and Eastern European folk influences filtered through high-energy blues and metal, has had big musical ambitions: its last three albums were installments of “Violeta, Violeta,” a complex rock-opera that involves a dysfunctional family, Satan, vodka and a hefty dose of magical realism (a mother and daughter who can communicate only in dreams, for example).īut though it has a huge following in Scandinavia and devoted audiences elsewhere in Europe, the group is virtually unknown in the United States, probably because it performs only in Norwegian. As high-profile debuts go, the circumstances could hardly be odder for Kaizers Orchestra’s first American performance, on Thursday evening at the Metropolitan Museum of Art.